Saturday 27 February 2010

'66 Rolling Stones. Bob Dylan, the Marquee club

The Lovin Spoonful arrive in London, 'Do You Believe in Magic' is a great single, written by John Sebastian, it's so enthusiastic and good time, as are they, we see them at the Marquee, they have lots of fun on stage and have a big laugh with the audience and play a really good set.

May Day, the NME Poll Winners concert, The Beatles, Cliff Richard, Rolling Stones, Who. I turn up at Wembley without a ticket, having already decided I wouldn't bother going in unless I got a good seat. I was about to leave when a guy came up to me and said, 'Here do you want this?'  It was one of a pair given to him because he was a press photographer, great seat in the 4th row for free. Result! Even enjoyed the Beatles. Can't say it stretched to Cliff though.

Later I saw Keith, we had an odd conversation about James Brown and his over the top stage act, with the never ending cape routine and how extremely sweaty he got. 'Out of Sight' was a big favourite of ours. His band was so tight, he really worked them hard.


Bob Dylan is playing the Albert Hall and Pamela and I have tickets in row E, well done us, we did some serious early morning queueing. The first half Bob does alone with guitar and harmonica and very nice it was too. He comes back for the second half with an electric band, The Hawks (essentially The Band without Levon Helm), we loved it, others seemingly didn't. Much shouting and booing from diehard folkies, the Beatles were in the audience to see this farrago.  I wonder what they thought. I love this photo of Dylan who at a press conference in Paris insisted upon answering through the ventriloquist's doll and drove them all crazy.


Met Roy C at RSGL, he was here to promote his single 'Shotgun Wedding', a kind of novelty soul record with gun shot sound effects and begins with the Wedding March, not sounding good is it?  But it really does work and he was knocked out with the reaction of the British fans.

London Airport to see the Stones off to America, Brian looked particularly good, a stripy jacket and pink sunglasses. I was getting tired of this, I loved seeing them and talking to them, but it was becoming pointless and less fun than it should be, so many loud in your face fans. You always knew when they arrived they may as well have had a fanfare, their signature yelling and shouting was a sign for us and the Stones to disappear, but they always found us and eventually it became a total nightmare. I would still continue to see them play, but hanging out was coming to an end.

My last airport visit, the Stones were returning from the States in August '66.  I chatted to Charlie, I was sad, I knew I couldn't do it anymore, but what could take it's place.

As it happens London's exploding music scene was more than enough to occupy me, I more or less lived at the Marquee, along with occasional visits to the 100 club, Klooks Kleek, The Country Club. John C Gee ran the Marquee with a rod of iron, I don't remember ever having trouble in there, I don't think anyone would dare.

Top class acts were appearing regularly at these tiny venues, Cream, Jeff Beck, Peter Green with John Mayall and then Fleetwood Mac, Spencer Davis Group and sometimes American Blues acts. Later of course came Jimi Hendrix, Captain Beefheart, Mothers of Invention, Dr. John .

One Saturday afternoon I went to the Marquee, Radio London were putting on a show, someone called David Jones and his band came on, I thought he was rubbish, bit of a poseur with not much of a voice. May as well admit it David Bowie never did it for me, not that it hurt his career any.

I was heading home up Wardour Street when I bumped into Pamela and some friends who were talking to some German guys, we chatted for a while, then I left. As soon as I got home the phone was ringing, one of the Germans, JoMa was very keen that I should return, after a lot of persuasion I headed back into town, we all spent the evening in Hyde Park until the keepers chucked us out.

Bluesology were supporting The Move at the Marquee, a band put together by Long John Baldry -  Elton Dean, Reg Dwight and Caleb Quaye, some well known musicians here, Reg was already famous for those cover versions of hits that Woolworth's sold, although not quite as famous as he would become.

This time it was the Rolling Stones at the Albert Hall, row O, we're loosing our touch. Long John Baldry was MCing. Ike and Tina Turner were on the bill, as were the Yardbirds with Jeff Beck and Jimmy Page, they were good, Ike and Tina play a kicking set, (PP Arnold was one of the Ikettes), and now we're waiting for the Stones to come on. As they appear, the audience begins to move from the back of the hall, a couple of girls leap on the stage, one is glued to Mick's back. Brian's laughing at Keith who is being dragged off stage by security while still attached to his guitar. I end up on the floor under some seats with feet moving all around me.  The next thing I know is the show is stopped and Long John is on the mike. telling us all to go back to our seats. He is on a hiding to nothing, no one is paying any attention to him. Eventually they give up, the Stones come back on and finish the show.

A girl at school turns me on to Bert Jansch, a bunch of us go to see him at St. Pancras Town Hall, I loved it, I knew little of the British folk scene apart from Donovan, so it was a bit of an eye opener for me.

Jimmy James and the Vagabonds and Geno Washington are doing alternate Tuesdays at the Marquee, Geno's good, but I particularly like Jimmy James - Amen. We go regularly.

BBC2 put on  some weird thing at the Marquee - 'Tonight In Person Theodore Bikel', he introduces several artists who do a couple of numbers each, one of them is Sandy Denny, done up like Dusty Springfield, with her blonde hair in a beehive with a big black bow at the back, she looked none too comfortable, but she sang like an angel.

The Marquee's Christmas party is with Spencer Davis Group and Syn, this was the kind of Christmas party we liked, no mince pies, turkey or ancient relatives, just loud rocking music with Steve Winwood.

The New Year's Eve Rave was as good, Jimmy James, Count Prince Miller, The Vagabonds, The Bunch and  The Neat Change. A fabulous night and hours of dancing.  Come on 1967.

The Summer of '65, more Stones, more music

This was the school summer holidays, many of my friends are leaving, I had decided to stay and do 'A' levels. The career advice had been limited and depressing, banks or building societies. Seeing what the future held in store looked like a horror show, girls at school would chat about jobs, clothes, boys, marriage, children and for the most part I wished I was on another planet. They were my friends and we got on fine, but now they were getting ready for the next step and I felt like I was on the wrong flight of stairs.

The tickets we have for the Stones at the Palladium are not good enough, row I,  but close enough to see Brian is dressed in the white outfit he bought in Sweden and looking great as usual. The line up was very interesting, the Steam Packet, a band with Brian Augur, Julie Driscoll, Long John Baldry and Rod Stewart, plus the Moody Blues and Sugar Pie Desanto. It's a bit of a stuffy crowd who seem shocked when we start our routine of screaming and running to the front, egged on by Brian who was grinning at me. Such behaviour at the Palladium, what on earth were we thinking?


The following day found me at the airport. There is a rather strange event going on involving the American band called The Byrds and the UK band The Birds whose manager decided to sue over the name. Presumably a publicity stunt, carried out as The Byrds arrived from California.  Leo de Clerk, The Birds manager said, 'As far as we are concerned the Americans are passing off on our name.' This was a farcical suggestion as The Byrds were the ones with the hit and the attention, but he got his column inches, the names stay the same and I get more autographs. Ron Wood was in The Birds, but at the time his brother Art was better know, with his band The Artwoods.

 I didn't have a ticket, but decided to go to RSGL, just to check the acts and get some autographs - The Byrds, Sonny and Cher, Rod Stewart and the creepy (even then) Jonathan King, all made an appearance and I get back in time to see it on TV.  The Byrds do their version of Bob Dylan's 'Mr. Tambourine Man'. Everybody loves the sound of Jim McGuinn's electric 12 string guitar. Sonny and Cher perform their hit 'I Got You Babe'.

Next Friday I meet Nico (pre Velvet Underground) at RSGL - what a really nice friendly person, she had a single out 'The Last Mile' written by Andrew Loog Oldham and Jimmy Page. Recently (Dec 2017) heard from ALO (on Twitter) that Nico was there to promote 'I'm Not Saying' ('The Last Mile' was the B side).  I apologised for the mistake, his reply:
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Jacqueline Parsons Retweeted Andrew Loog Oldham
Sorry about that!

Andrew Loog Oldham @loogoldham
Replying to @01jac @JimmyPage
She was promoting “ I’m Not Saying”
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Replying to @01jac
Not at all, it should have been “ The Last Mile “ then at least we’d have flopped with feeling
2:36 PM - 29 Dec 2017
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Family holiday time again, 2 weeks in Great Yarmouth, good grief I thought I'd go crazy, but luckily the Who came to save me. They are playing on the pier. Fabulous to see Keith Moon trashing his drum kit and Townsend in his union jack jacket, ramming his guitar into his speakers at the end of the pier. Dana Gillespie, Donovan and Peter and the Spectres are all introduced by 'our wisecracking compere' Chris Carlsen. The Who closed the first half after we'd seen Peter with his Spectres and Dana, the second half opened with another set from Peter and his Spectres followed by Donovan.  Chris Carlsen had been annoying throughout, but I guess I shouldn't complain. It was great to see a good show on holiday.

Top of the Pops, the Stones are on to play 'Satisfaction', Pamela and I wandered into the BBC, via the back wall, to see them perform. Mick is wearing a dramatic pair of black and white checked trousers. Brian looks great in the black and white stripy top he'd nicked from someone in another band, and he was right it did look better on him. First sighting for me of Anita Pallenberg, blonde hair, wearing a white denim jacket and skirt and holding Brian's Firebird. I wasn't impressed but I think we can safely assume she wasn't there to impress me.

Brian Jones and Cathy McGowan (RSGL presenter) mime to Sonny and Cher's 'I Got You Babe' which you rarely see on clip shows, but was pretty funny. The Stones play 'Satisfaction', 'Oh Baby' and 'That's How Strong My Love Is', good show. The weekend starts here, as always.

At the airport Brian arrives with Anita, which really pisses me off.  She doesn't stay long and takes the car back to London. Brian comes up to me and says 'Hello sweetie.' I ignore him and walk away, he goes into passport control and waves to me from behind the barrier. I did some half wave back and leave. What can I say, I was a teenager and very not happy. Someone asks Keith who she (Anita) is, he describes her as some German bird who keeps hanging around. At some point he obviously has a different perspective.

Finsbury Park Astoria, the Rolling Stones, I go to the first show and outside someone gives me a ticket for the second show, I screamed so much I couldn't ask for my bus fare home. I get to hear 'She Said Yeah', 'Mercy, Mercy', 'Cry to Me'. 'The Last Time', 'That's How Strong My Love Is', 'I'm Moving On', 'Talkin' Bout You', 'We Got A Good Thing Going', 'Satisfaction' twice - two shows in one night, great it can never be too much.

Granada Tooting, last night of the tour.  More of the same, good!

27th October The Stones are leaving for Canada for the start of a North American tour, a plane had crashed on the runway at Heathrow and everyone is very nervous, we chatted about it a bit, Keith was of the opinion it was unlikely that two planes would crash on the same day at the same airport. Hard to argue with that.
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