1980s La Rocca, Midge Ure, Chris Spedding, New York, Bonny Street Studios,

Jackie, PA and Transit

1980 and am still doing sound for bands with my friend Pete, it's hard work lifting all the gear about, often gigs are upstairs, like the Moonlight in West Hampstead and we have to carry the humungous JBL bass bins between us. Some of the music is good like the Skank Orchestra and the seriously top class Dudu Pukwana - but it's not often enough.

Back in the studio in February, this time Audio International with Midge Ure to record 'Baby'.

Next month, 5th March, we (Snips, me, Midge Ure, drummer Steve Young and guitarist Gary) are on In Concert at the BBC's Paris Theatre. Sharing the bill are The Tourists (Annie Lennox, Dave Stewart, Eddie Chin, Pete Coombes and Jim Toomey). I heard a recording of it years later - it sounded great and we were genuinely live, no stopping or rerecording!

Snips is doing some more producing, this time a guy called Mike Jaye, another MAM artist who has written a good, commercial (we thought) song 'Automatic Life', apparently turns out to be the 'b' side of something called 'Romance'. Mike has been working on this track (Automatic Life) for a while and Snips has been brought in to get it finished. I do some backing vocals and now Mike needs to do his vocal, there are quite a few takes before he is satisfied and now the tape is starting to shred because it's been across the tape heads too many times.  The race to achieve a final mix before the tape disintegrates is a tight one. I don't think I've ever seen that happen before. Sadly for us all - 'Romance' and therefore 'Automatic Life' is not a hit.

Steve Young, Snips, Jackie Badger at The Venue June 1980

Me and Snips are going to play The Venue on June 17th with Huw Gower (guitar), Graeme Douglas guitarist from Eddie and the Hot Rods, Chris Mercer (sax), Simon Etchell (keyboards), Steve Young (drums). We have a a scaffold build set with an upper floor for me, Steve Young and Simon Etchell, leaving the ground floor for Graeme, Huw and Chris. There is a staircase so Snips can move between both floors. MC is Alexei Sayle. We do a few days rehearsal at Jumbo Studios and then one day with the scaffold set up at John Henry's.

Spedding and Snips at Riverside

Spedding, Clem, Jackie and Snips

Later this year, due to the strength of 'Nine O'clock', MAM records ask Snips to make an album. In October we record mostly at Riverside in Chiswick and Music Works in Holloway, but finish it at 39th St Music in New York. 'La Rocca!' as it is called has some fabulous idiosyncratic songs written by Snips, including 'Skies of England' which is about my teenage fascination with the Rolling Stone, Brian Jones, plus David Elliot's (Lloyd) 'Happy Sometimes' and 'Police Car' by Larry Wallis. I get to play with two fantastic drummers - Clem Cattini and Dave Mattacks. Bill Nelson plays some synth, Chris Spedding who of course plays guitar and also is the producer.

8th December 1980 John Lennon is shot dead outside his home, the Dakota, after returning from the recording studio, I won't name the perpetrator here as I have no interest in giving any further publicity to the waste of space who murdered this supremely talented musician, singer and composer. What a dreadfully sad loss.

Later this month Snips and I fly to a snowy New York to play some gigs with Chris Spedding and drummer David Van Tieghem. We check into the Gramercy Park hotel and get straight into rehearsing at Spedding's girlfriend Jody's loft.  Spedding is so good at giving helpful and useful musical information I have reached saturation point and have to beg him not to offer me any more! My head is holding a whole new album and Spedding's set, one wrong move and I feel like I could forget everything.

The gigs begin on Boxing Day, Christmas Day we have been invited to Jody's mother's place in Queens. It is a fascinating drive out there, it's the first time I have seen front garden's decorated with lights and Christmas scenes. Back then it was mind blowingly hilarious. We arrive around lunchtime but there has been a timing confusion and dinner is a whole lot later than we imagined. We - Spedding, John Cale (who married Jody's sister), Snips, me and Spedding's manager Nina - passed the time down in the den watching TV. John Cale drops the most unbelievably dreadful fart and we all run out, leaving him there laughing. When we are called into the kitchen for dinner it is clear there is not a whole lot to eat except meat. It has to go down as the hungriest Christmas I can remember.


The Left Bank performance is slightly tentative, but OK and then we fly to Toronto for a short tour. On arrival and as our bags are being searched, the Rizlas that 'someone' has in their luggage are spotted and we are all taken away to be thoroughly searched and I do mean thoroughly.

Eventually we are allowed on to the sacred Canadian turf where we are met by two of Martha and the Muffins' road crew who are booked to do the tour with us. One of them bails and Mikki a young Japanese woman is left to do the job on her own, which she does impeccably, driving the minibus, carrying some of the gear and tuning guitars.

Sometimes the set begins with Spedding, Van Tieghem and myself as a three piece performing songs from some of the Spedding catalogue, like 'Silver Bullet' and 'Guitar Jamboree', and then Snips comes on and we do songs from the new La Rocca album. We finish or encore with two Sharks numbers 'Snakes and Swallowtails' and 'Sophistication'. And other times it's the other way round.

Spedding on tour in London Ontario 1980

Playing with these guys is unquestionably fabulous, but it is kind of tense for various personality and pharmaceutical reasons. Although having said that, here is a nice smiley pic of Spedding in the van.

The London, Ontario gig at The Cedar Lounge was lively - one of those clubs where you have to play behind a grill. The rooms above the club seem to be a doss house except for the one given to us to use as a dressing room - ah the glamour.

The electrics in the club in Windsor are deemed lethal by Mikki who refuses to allow us to appear until the promoter has called in an electrician to earth the place, which he does very reluctantly do (thanks Mikki!).

The last gig in Canada is the Masonic Temple Toronto, which I think is recorded or broadcast live on radio or something of that nature. Here's a couple of tracks from the show- 'Work' and 'Mama Coca'. For this run of gigs me and Steve have bought various items from the Vivienne Westwood Pirates collection and here's some pics of us wearing it...

Jackie B Toronto Photo: Wayne Eardley

Spedding + Snips Toronto Photo: Wayne Eardley

Back in NY we play at Trax club and as we are waiting to go on, a guy in the audience asks me if I'm the Jackie Badger. At this point I have no idea.

Just before we are to return to the UK, I find my fee has been spent on an end of tour banquet arranged by Nina, that none of the band are invited to! Really? The tour was an experience I wouldn't have missed for sure, but it would have been good to have been paid!

Snips at The Venue 22.4.81 Simon Etchell, Steve Young, Jackie B + Kirby

We tour the album in March '81 playing various gigs up and down the country with Simon Etchell (keybds), Steve Young (drums) Kirby Gregory from Curved Air and Stretch (guitar) and me and Snips. I also made the skull back drop - Brighton University, Croydon Fairfields Hall,  Leeds Warehouse - Bill Nelson came to see us. Manchester University, Glasgow University, The Venue London, Liverpool Warehouse.

More recording and gigging - London clubs - 101 Club, Rock Garden and the Greyhound in May. And in October we're back in Music Works recording - Preston Heyman on drums.

Pete Chapman Jackie B+Jackie B's dad. Bonny Street 

Snips at The Clarendon 1983 Dom de Sousa, Jackie B + Chris Pye

Changes are ahead: in 1982 Pete and I find premises in Camden Town to open a rehearsal studio and are extremely happy to put the PA into Bonny Street Studios instead of the endless loading and unloading of the van. Although it's always busy, there is only enough space for one studio. There's a couple of small rooms, one is the office (my brother shares this space to fix electrical equipment). We branch out into tape copying and  equipment hire, but do not find anything that increases the takings to any useful degree. Plus the equipment we hire out gets stolen too often. We find one of our keyboards, a DX7 on a boat bound for Africa!

September William S Burroughs is at the Ritzy in Brixton to promote his book Cities of the Red Night - so good to hear him speak, that voice is incredible, it cuts through you like a knife! Dr Benway! Hysterical

I join a band put together for a singer called Behira, Mark Sidgwick is playing guitar. We play one gig - the Moonlight in West Hampstead. We have known Mark for a while - plays both bass and guitar - was with The Boyfriends and Holly and the Italians.

1983 sees me and Snips playing with Dom Bon De Sousa (sax) previously with Goldie and Chris Pye (guitar) previously with The Books. We play at the Manor House (the same space that was the Harringay blues club where I first saw John Lee Hooker) and even more weird it was promoted by Gary Schombert who I fist met in 1967 standing in line for the Windsor Jazz and Blues Festival, with his friend Pete Chapman, who became my boyfriend and whose bass I used when I first started playing...aghh!!! It truly is tiny world. This pic is taken at The Clarendon, a pub in the middle of a roundabout in Hammersmith.


Defeat is finally admitted at Bonny Street Studios and new premises are found in Hornsey - a bigger building, which has space for recording too. Pete runs this and names it La Rocka. I quit to have a baby.

Stephen has also moved sideways and got into the music for film business, working on TV ads and films. We incorporate a studio into our flat - I continue to play bass and sometimes do vocals, but although this is a good move for Steve, I'm not sure it works for me.

1979 Snips wedding, Adam Ant, Lou Reed, Link Wray, 9 O'clock

January 11th Snips and I are at De Lane Lea recording studios in Wembley where he is producing Adam and the Ants 'Xerox Machine', good track. My assistance is largely as chauffeur, although occasional opinion is required. Snips thinks the intro is too long and suggests they cut a couple of bars out, this was not as easy as you might think. Snips asks the Ants who were baffled by the suggestion, 'How do you know how long the intro is?  How many bars do you count?'  'Don't know, it's when Adam nods his head.'  It was a long but productive night and we finish it off with a massive snowball fight in the car park.

We go to see Adam play at the Electric Ballroom in Camden a few days later, I've seen them a few times, it was OK, but not the best.

Brian Holloway, John Bentley, Snips

Snips and I are back out playing, this time we have a scaffolding stage set. The first gig is the Riverside Studios in Hammersmith (23rd January), where I think the photo is taken. It goes well and is nice to be out there again after a few months off. With Mother Superior there was never any time off, now there seems to be quite a lot.

A short UK tour follows, the weather is dreadful, we're booked to play the Mayflower Club in Manchester, we have the perfect combination of blizzard and bus strike, miraculously we arrive on time but it looks like no one else will so decide to cancel it just as a lone punter turns up. We ask him if he wants us to play, or would he prefer to go home while he still can? He's happy to stay and what a fabulous audient he turned out to be, he loved it, clapped and whistled after every number, at the end we all applauded him. What a great guy.

On 16th February we do the Andy Peebles show, including some new songs '9 O/clock', 'Flow my Tears' and 12 O/clock' plus we do 'Music Breakout', I love this song.

Jackie and Snips get married

Things are moving fast, but even I didn't see this one coming - Snips and I are getting married. The first day of spring comes around - it's warm and sunny, many friends and family come to the wedding, various parents, brothers, Jackie Crew, John Bentley, Simon Etchell, Steve Lillywhite, Chasie from Blood Donor is Snips' best man. From the Registry Office we all go back to the Shepherd's Bush flat for champagne and cake from Patisserie Valerie. When the car arrives to take us to Gatwick - we are honeymooning in Lanzarote, (suggested by Lillywhite) we look at the flat that is heaving with drunken guests. Waving goodbye, we wonder what we will come back to. Luckily Snips' mum is there to clear up the aftermath.

 A bit of an, 'are we meant to be this close to the water?' moment on landing - runway on beach.  Although take off even more thrilling - flying straight at the volcano. Lanzarote in 1979 is still fairly unspoilt, fascinating and volcanic. We're having a look round the hotel and find a bunch of English people in the 'TV room' watching 321 in Spanish, I don't suppose it mattered it's incomprehensible whatever language it's in. To make sure we didn't end up in the TV room we hired a VW Beetle and went to see the island, a wild and atmospheric place, black sand, Timanfaya the volcano where you get eggs boiled for free. Eating was tricky though - I was vegetarian, Snips wasn't, rarely could we eat in the same place unless it was pizza. 

Soon it was time to head for the volcano and back to Shepherd's Bush for some married life. We are back in time to see Lou Reed at the Hammersmith Odeon. We've also got tickets for the legend that is Link Wray - at The Venue in Victoria





Jackie, Snips, Mark and Holly

Me and Snips share the same birthday, we have a party in our garden in Shepherd's Bush, my old pal Holly is around and comes with her boyfriend Mark Knopfler...

Jackie with Joe Public

While Snips is planning his next onslaught on the music industry, I need to find some work so I join a heavy metal band called Joe Public (many bands had this name) this line-up was Hutch Hutchinson (guitar), James Covington (guitar), Rob Simons (vocals) and Roger Hunt (drums). We do a lot of rehearsing, but not many gigs after a change of drummer and not much else I leave, was good experience though and left me with a great appreciation for ZZ Top.

Ooh Al Green at The Venue, have to see this and we do. His band has that amazing albino guy on the Hammond and a bodyguard dressed in a black suit who stands on stage to give Al his towel when he feels the need. Me and Snips make our way down to the front and are standing right by the stage. Al looks down at us, points at me and says 'Hot to trot.' I have to assume that the later to be Reverend Green knew of what he spoke. Take me to the river!

The need to have a medium scale bass is upon me and in September I visit the guitar maker Chris Eccleshall, we chat over pick ups, design, types of wood and away he goes. I'm real excited but of course I have to wait.

In October the record company realises what a truly great song Nine O'Clock is and decide to put it out as a single.  We (Snips, Midge, me and Steve Young) record it at Matrix Studios with Midge Ure producing. It gets a fabulous review from Julie Birchill on its release.  The record company pay for a video to be made and Snips comes up with the  idea of just going out on the street, singing the song while being filmed by advertising director Roger Lunn.  They go to lots of well known places in central London - Berwick Street Market, Piccadilly Circus, get chucked out of MacDonalds, the National Gallery and the Tube Station. A wild piece of film.

Snips is given a tour of the EMI pressing plant to be shown his single being produced and while he waits to be given a copy the machine begins firing them out all over the floor. Omen? When the record is ready for release, it gets all sorts of good reviews including the one from Julie, it makes it on to the radio one play list, and played on TV, guess what - there is a screw up with the delivery to the record shops so there is not enough product available - well done EMI.